Arvo Pärt’s ‘Silentium’ Gives Voice to Silence Within Sound
With this curated compilation, Mississippi Records provides a compelling primer into Arvo Pärt, the world’s most performed living composer.
With this curated compilation, Mississippi Records provides a compelling primer into Arvo Pärt, the world’s most performed living composer.
Mt. Joy may be an established fixture of the indie folk-rock scene, but this release displays their creative hunger and drive to evolve and grow.
Julien Baker and Torres have co-written a compact, yet rich collection of songs that testifies to their skill as country music practitioners.
Throughout Woodland, Americana songwriters Gillian Welch and David Rawlings underscore the sinews of relationships that are stretched but never torn.
Nick Cave and the Bad Seeds’ Wild God teems with creative ambitions and sacred content. An ode to the surprise of joy, it is an audacious, reaching record.
With Rustin’ in the Rain, Tyler Childers and the Food Stamps have dropped one of the year’s more vital pure country albums. The rich production is impressive.
Now reminds of the treasure that Graham Nash has been and continues to be in the ongoing narrative of rock music and it’s a snapshot of the creative spark.
Joy Oladokun’s Proof of Life attempts to connect with others struggling, hanging in, and moving forward, an invitation traversing musical genres in its call.
Country Westerns’ music is tight, propulsive, and unafraid to meld genres. Their “punk chutzpah with classic rock sheen” is unafraid of country and blues flavors.
The sound of joy as resistance on Boygenius’ The Record is as radical a statement as London Calling or Nevermind. It’s one of the more significant statements of our time.
Depeche Mode’s Memento Mori is a testament to the power of art to call us to see more clearly in the absence of resolution.
In Bless This Mess, U.S. Girls identify funk and R&B grooves as conduits for the very pulse of life. It’s brilliantly conceived and executed.