Addison Rae’s ‘Addison’ Is a Pop Star Origin Story
I’m left with a new idea of who Addison Rae is, and this idea is way more interesting than how I feel about most of the pop music in those algorithmic playlists.
I’m left with a new idea of who Addison Rae is, and this idea is way more interesting than how I feel about most of the pop music in those algorithmic playlists.
Swiss-Moroccan producer Sami Galbi crafts a warm, inviting blend of chaabi, North African folk music, trap, and global club sounds, creating a DIY street party
When it comes down to Katy Perry’s concerts, the embattled pop star embraces maturity and manifests “I love you” with a family-friendly extravaganza.
Self Esteem steps into a more grounded and rangy perspective. She’s overcome numerous challenges. She’s learned to live in the world and her own skin. She’s free.
Tate McRae’s well-crafted third album, So Close to What, cements her as a pop mainstay, but leaves the future unclear.
Selena Gomez’s fourth album zooms out on her celebrity presence, zooms in on her personal life, and hints at happiness and conflict.
Baths’ Gut is a potent record, all the better for the tension it leaves unresolved. Musically, these are some of Will Wiesenfeld’s warmest, most inviting songs.
Lady Gaga’s Mayhem shines a glaring spotlight on a wildly creative artist who finds herself behind the times, following trends instead of setting them and seeming out of step.
Florence Adooni has effortless, down-to-earth charisma from start to finish, from her most lighthearted moments to her most earnest.
Katy Perry’s morality-tinged 143 is self-aware and cunningly invites fans to tune in to her “love frequency”.
In trading sample-packs for organic instruments and whistles, Australia’s Alice Ivy returns after four years with an album that moves out of the clubs and into real stardom.
On her 17th studio album, Kylie Minogue once again proves that few of her peers or followers understand the art of light dance-pop as well as she does.